TABS
The unnameable
French jeweller
Christophe Burger talks about a ring he made for 'unnameable',
the Corpus show in Colmar, France

Christophe Burger 'unnameable'
ring
(photograph by Jean-Louis Hess)
Just remembering some notes I had taken about Wittgenstein,
I realized some months ago that on a portrait a friend of
mine shot of me, I was photographed standing in front of a
wooden partition, pointing my finger at cuts on the surface:
this attitude of mine became clear when I read again my notes.
'...Everything that can be said can be said clearly. There
sure are things that are unnamable. They must then be shown.
There lies the mystical part of them.' (Sorry for the so-so
translation). The not-so-clear presence of the floating silverleaf
(or simple paper, as in the final version of my ring) is for
me a way to point at a 'something' that can't be precisely
named, described, that is changing shape whenever you scrutinize
it, but whose existence you can't deny. It's here, and you
can just show it. The distance (-ation) is brought by the
sandblasted glass. The circular shape of it provides a perfect
receptacle, nearly abstract, almost immaterial.
Christophe
Burger is a French jeweller and vice-president of CORPUS
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